Arts and Ideas

Our thoughts on the state of the performing arts in Greater Pittsburgh and nationally.

Mark Fleischer Exits Along With Pittsburgh CLO: ‘It’s Been an Honor to Work Here’

MARK FLEISCHER AND PITTSBURGH CLO EXIT

“It’s been an honor to work here. I take a lot of pride in what we’ve done, and the people I’ve worked with, the staff, the donors, the crew, but I recognize that it’s a time of transition, and a time that’s scary for some. My hope is that the community pulls around and says, ‘We still want this.’ Ask for what you want, and you’ll ask for what you want by buying tickets. And I hope that those people know change is not easy. Someone once said, ‘Change is not a Pittsburgh virtue,’ but we have had change. It’s not Heinz Field anymore.” — Mark Fleischer, leaving Pittsburgh for Studio Tenn Theatre in Tennessee

Ode to a Grecian Earn: ‘Hadestown’ Screen Splash Is a Sign for U.S. to Pick Up Pro Shot Pace

‘Hadestown’ Screen Splash Is a Sign for U.S. to Pick Up Pro Shot Pace

Ancient Greek mythology had a big weekend at the movies, and it wasn’t all about “The Odyssey.” A lot has been made about the debut pro shot of “Hadestown: The Musical” beating the box office of the cinematic release of “Hamilton,” which hit movie theaters in 2025, after it first streamed in 2020, as an at-home treat during the pandemic shutdown. More to the point, “Hadestown,” on limited screens, finished in fourth place on its opening weekend, behind the juggernaut that is “The Odyssey,” and family films “Moana” and “Toy Story 5.” 

New Hazlett Launches ForgeWorks, Names First Artistic Director

FORGING AHEAD: NEW HAZLETT THEATER REBRANDS FOR THE FUTURE

The New Hazlett Theater has appointed Melissa Cardello-Linton as the first Artistic Director in its 20-year history, in conjunction with the unveiling of ForgeWorks, “designed to partner with established producers, cultural institutions, and creative teams developing ambitious new projects.” A year in the planning, the programming of ForgeWorks will be announced in September.

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