By MINGSI MA Directed by Connor McCanlus and written by Sean Collier and Renee Rabenold, Closing Time at the Moonside Cafe is an original interactive theater piece that invites audiences to immerse themselves in an otherworldly club. The immersive experience is largely a success, blurring the line… Read More ›
Resonance Works concludes its 13th season with Roméo & Juliette, Charles Gounod’s operatic retelling of Shakespeare’s tale of star-crossed lovers and the devastating cost of hatred, performed in Pittsburgh for the first time in 20 years. Performances take place on Friday, June… Read More ›
Here’s your guide to what’s happening on Pittsburgh area stages this week and through the end of August, from onStage Pittsburgh. Check back frequently as shows are being added regularly. Opening This Week Continuing Their Run Opening Next Week (June… Read More ›
What happens among four teens in the 2019 play by Alexis Scheer, “My Dear Dead Drug Lord,” is the stuff of pubescent histrionics, paranormal activity, and parental nightmares. It would be hysterical if some of it wasn’t so feasible, teetering on the edge of funny shenanigans and deeply discomfiting actions. The barebones production, now playing in Braddock, is a twisty, trippy exploration into the lives of four young women who are determined to go dark, as a path into the light.
PITTSBURGH CLO 80th ANNIVERSARY CONCERT: ONE BRIEF SHINING MOMENT
During a nostalgia packed night — including the honoring of former CLO intern Stephen Flaherty, the award-winning composer of “Ragtime” — the end of an eight-decade era was mentioned several times, as well as the hopes for the future in combination with Pittsburgh Public Theater. Wisely, the night was focused on the local musicians and performers who have graced stages from Pitt Stadium to the Melody Tent to the Civic Arena to every stage in the Downtown Cultural District, plus Heinz Field.
INTERVIEW with director JEREMY SEGHERS, who has chosen “HAMLET: THE BAD QUARTO” for his second directorial project in Pittsburgh — after his dramatization of Franz Kafka’s “The Trial.” The director has theories of about what good comes of diving into “Q1” — the earliest known version of “Hamlet” — and why it is a relevant and insightful companion to what many consider to be the greatest play in the English language.
When truth is stranger than fiction, in a playwright’s hands, it can go a few steps further into bizarro world, or find a pathway to grounded reality. Such is the case of the third annual Living News Festival, a Throughline Theatre Company creation that distributes local news stories to six Pittsburgh playwrights, who each write a 10-minute play, ripe for production. The results are currently being presented at Carnegie Stage through Sunday, June 14, 2026.
BANDALOOP, featured performers at the 2026 Dollar Bank Three Rivers Arts Festival, are hard to pin down — literally. Earlier this week, the troupe known for its “perspective-bending dance” could be seen high above Arts Landing — as seen in the video above — perparing for their Arts Festival schedule: 5-5:30 p.m. and 7-7:30 p.m. on Friday, June 12; 1-1:30 p.m. on Saturday, June 13; and 7-7:30 p.m. on Sunday, June 14.
It’s a busy weekend, Pittsburgh!
Check out Call Board for news about: City Theatre’s record-breaking ‘Hedwig’; Pittsburgh Playwright’s ‘BURNBABYBURN’ reading; Prime Stage on WQED; PSO’s Manfred Honeck and The Clarks; 2026 Tony Awards; and more.
The cast of “Our Dear Dead Drug Lord,” the “ferocious, darkly funny” coming-of-age play opening this weekend at barebones productions, answer questions about their first professional production, women working with women in theater, and more. The Alexis Scheer drama at the Braddock Black Box theater, June 12-June 28, 2026 is set in a treehouse, where a quartet of teens tries to summon the ghost of Pablo Escobar.
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