The Promotions Will Take Effect for the 2026-2027 Season Pittsburgh Ballet Theatre (PBT) has announced the promotion of three PBT company artists. The artists were all promoted live onstage after the evening performance of A Midsummer Night’s Dream on Saturday,… Read More ›
Feature Stories
Season Previews and Interviews.
Echoes of War: Students Face Vietnam Draft in New Play
The new play “Sixty Nine — Seventy,” among the independent productions sprouting in Pittsburgh this spring, is a throwback to the era of the Vietnam War, the draft lottery that sent young Americans to fight in Southeast Asia, and the antiwar protests of the “flower power” generation. It was the last military draft in the United States, ending in 1973, but not the last war. Every few years, it seems, the U.S. is embroiled in a violent conflict on foreign soil.
For playwright Michael Eichler, a University of Pittsburgh alumnus, and director/producer Alex Manalo, “Sixty Nine — Seventy marks” a second collaboration as the play readies for a May 14, 2026 opening. In March of last year, Manalo produced and directed Eichler’s self-funded “Repulsing the Monkey,” at City Theatre’s Lillie Theatre.
Pittsburgh Public Theater and Pittsburgh CLO Reveal 2026 ‘Prologue Season,’ Ahead of 2027 Merger
Pittsburgh Public Theater and Pittsburgh CLO have announced a “Prologue Season” of curated programming for the remainder of 2026, as they prepare to merge into one organization in January of 2027.
In a press release on Friday, May, 8, 2026, it was also announced that the O’Reilly Theater, home of Pittsburgh Public Theater since 1999, will undergo “significant renovations this fall.”
The lineup also includes the return of the Pittsburgh CLO holiday standard, “A Musical Christmas Carol,” at the Byham Theater, and “Who’s Holiday!” at the Greer Cabaret Theater.
August Wilson’s ‘Jitney’ Comes Home to the Hill — In Italian
Carl Kurlander led a University of Pittsburgh crew to Vincenza, Italy, in 2024, to document the first production of August Wilson’s “Jitney” in Italian. With that production arriving in Pittsburgh this coming Friday, May 8, presented by Pittsburgh Playwrights Theatre and the August Wilson House, Kurlander shares his experiences chronicling the production with onStage Pittsburgh.
Review: Prime Stage Theatre’s ‘Speak’ Speaks Volumes About Aftershocks of Sexual Assault
“Speak,” a new play about the intentional damage — physical and emotional — we are capable of inflicting on one another, and the healing powers of kindness and art.
The work, an adaptation by Tammy Ryan of Laurie Halse Anderson’s popular 1999 YA novel, was commissioned by Prime Stage Theatre, and made its debut on April 30 at the New Hazlett Theater.
Q&A With City Theatre’s ‘Hedwig’ Star, Treasure Treasure
“I’ve always been drawn to characters that take up a lot of space and refuse to leave the stage. I was born to play Hedwig.” — Treasure Treasure, who stars for City Theatre in a first-time revival of HEDWIG AND THE ANGRY INCH.
The production at the Greer Cabaret, in partnership with the Pittsburgh Cultural Trust, was visited by Hedwig creator and recent “Oh, Mary!” star John Cameron Mitchell during rehearsals, saying of the Broadway role “It’s going well. Easier than Hedwig!”
As she takes the stage this week as Hedwig, Treasure answers questions for onStage Pittsburgh.
Attack Theatre, Kelly Strayhorn Theater, and PearlArts Movement & Sound Launch Equitable Access to Rehearsal Infrastructure in Pittsburgh
PLACES, EVERYONE!
Attack Theatre, Kelly Strayhorn Theater, and PearlArts Movement & Sound have launched Place to Space, a shared initiative and pilot program offering subsidized rehearsal space to expand equitable access to professional performing artists throughout Pittsburgh.
‘Evan Hansen’s’ Anthony Marino Jr. Was Born to the Stage
A theater kid from birth, Anthony Marino Jr. is set to play the lead in “DEAR EVAN HANSEN” for Pittsburgh Musical Theater. “I think always being immersed in that world just kind of wired my brain in a way that made me know, ‘That’s what I was made to do.’ ”
Pittsburgh Opera Wraps Its Season, and General Director Christopher Hahn’s Tenure, with Verdi’s Final Opera “Falstaff” April 28th – May 3rd
As Giuseppe Verdi approached the end of his storied career, he turned not to tragedy but to comedy—crafting Falstaff, a buoyant, fast-moving opera drawn from The Merry Wives of Windsor. Widely regarded as one of the finest comic operas ever written, the work distills… Read More ›
Carnegie Mellon and Pittsburgh Symphony Launch Four-Year Partnership
Carnegie Mellon University School of Music and the Pittsburgh Symphony Orchestra have announced a new four-year partnership designed to give CMU music students direct access to professional musicians and conductors. The agreement places PSO artists regularly on campus for master classes, rehearsals, performances,… Read More ›
