Reviews

Reviews of current productions by our writers

Review: A Maze of Manipulation in Kinetic Theatre’s ‘Henry Johnson’

Kinetic Theatre’s production of David Mamet’s Henry Johnson marks the play’s Pittsburgh debut. It is also only the third production of the work, following its premiere in Los Angeles in 2023 and a staging in Chicago in 2025. Henry Johnson has Mamet’s classic flair, with its downward-spiraling plot, coercion, ulterior motives, and the rhythmic, staccato, naturalistic Mamet-speak. It’s a play that makes you wonder: What is the truth? Who should I believe? Am I, as an audience member, just as susceptible as Henry Johnson? The play is less of a moral lesson and more of a question of morality. It leaves us grappling with the ambiguity of where the truth and manipulation begin and end. 

Review: Sated and Hungry For More of RealTime Arts’ Equitable Dinners

My experience of RealTime Arts’ Equitable Dinner will not be yours. Yet, I can wholeheartedly recommend that you snatch up whatever slots are left for the trifecta of a short play based on community listening sessions, a potluck-style meal provided by the host, and conversations sparked by what you’ve seen and heard, facilitated by leader, but driven by what you bring to the table. 

Review: Pittsburgh CLO’s ‘Beautiful, the Carole King Musical’ Is Some Kind of Wonderful

Pittsburgh CLO’s 80th season opener, “Beautiful: The Carole King Musical,” rides the unstoppable wave of musical standards by one of the 30 greatest living American songwriters, according to a recent New York Times poll, in a production as finely tuned as any National Tour, especially in its sparkling Carole.

For Beautiful to get it right, you have to start with a Carole you believe in, and Pittsburgh CLO gets it very right with Kyra Kennedy, supported by an accomplished troupe of mostly local performers and musicians.

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