By SHARON EBERSON For more than a year, two Pittsburgh actors have been assessing William Shakespeare’s Macbeth anew, with the purpose of coaxing from the text something fresh and meaningful to them and a 21st-century audience. Brett Sullivan and Alyssa… Read More ›
By Eva Phillips Pittsburgh Classic Player’s A Streetcar Named Desire is not an easy thing to sit through. This is in no way a reflection on the quality of the show as a whole—which is extraordinary—nor the performances given by… Read More ›
Tennessee Williams is a master of diffusely permeating the social consciousness and cultural lexicon. His inimitable style is why his works are held in the esteemed canon for theatre and film scholars alike, and the striking relatability of his stories… Read More ›
