Antony Walker and Sara Gartland the Brightest Stars in a Brilliant Cast By George B. Parous Pittsburgh Opera opened its 84th season Saturday evening, with a truly grand performance of Antonín Dvořák’s Rusalka. The libretto, by Jaroslav Kvapil, is said… Read More ›
Four New Resident Artists Will Debut in the Production, Opening Saturday, Sept. 17 By George B. Parous Beginning Saturday night, September 17, at the Benedum, and running the usual four performances, Pittsburgh Opera will provide the rare opportunity of hearing… Read More ›
Colorful & Lively Production is Well Worth the Wait By George B. Parous Ever wonder why they call it “Grand Opera?” Never been, but waiting for one you’re guaranteed to enjoy? Try the twice delayed Carmen at Pittsburgh Opera. You’ve… Read More ›
Music For the Era of Truth Decay Runs Through March 3rd By George B. Parous In the year 2525, if man is still alive, if woman can survive, the human race may find that all operas sound and look like… Read More ›
Chris Cox, Company’s Director of Marketing and Communications, Shares Line-Up and a Few Words By George B. Parous Pittsburgh Opera today announced their plans for the company’s 84th season, with the list of works to be done encompassing the Baroque,… Read More ›
Pittsburgh Opera’s The Magic Flute a Colorful, Magical Delight By George B. Parous Last night, a good-sized audience at the Benedum heard a classic example of why Mozart’s melodious The Magic Flute has enjoyed enduring popularity since 1791. The production… Read More ›
By George B. Parous For the first time in nearly two years, Pittsburgh Opera returns to the Benedum Center this Saturday evening, November 6, for the first of four performances of Mozart’s phantasmagorical The Magic Flute. The company did a marvelous job with… Read More ›
Pittsburgh Opera is wrapping its season with an innovative spin on Handel’s Semele, a company first in more ways than one. The work, variously described as a musical drama, “after the manner of an oratorio,” and eventually an opera, was… Read More ›
Pittsburgh Opera Saturday evening gave the first of six performances of Handel’s Semele, a company first, and the baroque opera will bring to an end a season that’s been full of firsts, and has not much resembled the line-up… Read More ›
Pittsburgh Opera gave the second of six sold-out performances of Daniel Schnyder’s Charlie Parker’s Yardbird last night, as the company continues to bring a live theater experience to as many people as possible in these seemingly endless pandemic days. Safety… Read More ›