Carnegie Mellon University

Love’s Labor’s Won

Directors and theatre companies have been adapting and tweaking the works of William Shakespeare for centuries. Alterations run the gamut from changing the setting and characters genders to modernizing the language. Sometimes the core story has morphed, for example, Romeo… Read More ›

Collegiate Preview 2017

It’s THAT time of year again ladies and gentleman! Time to settle back into your daily routine of books and classes for some of you, which means, rehearsals are starting soon! If you’ve been with us for a while, you’ll… Read More ›

Wife U

A great word for adaptation is “knock-off”.  Like ‘cheap’; ‘pegged-down’; an insinuation that’s just a bit crappier.  The ill craftsmanship of a poorly made, get-rich-quick impostor, aesthetically just as pleasing as it needs to be to seem classy. We’re in… Read More ›

The Three Musketeers

The playbill for Carnegie Mellon University’s School of Drama’s aggressive and successful challenge of Andre Dumas’ timeless classic The Three Musketeers employs much space dedicated to “adaptation” – its meaning and its role in the theater. In “Theory of Adaptation” featured… Read More ›

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