August Wilson’s Ma Rainey’s Black Bottom, the third play in his American Century Cycle, is set in a 1927 Chicago recording studio where the “Mother of the Blues” battles for control of her art while her band wrestles with ambition, regret, and survival. Ashley Renee Southers, in her directorial debut, captures Wilson’s layered examination of exploitation, race, and creative power. The Quartet of musicians—Charles Timbers (Cutler), Dave Minnifield (Toledo), Rich Dixon (Slow Drag), and Dionysius Akim (Levee)—forms the play’s backbone. Each actor contributes nuance, but Akim’s fiery, restless Levee dominates, his bravado masking wounds that erupt with tragic force. Minnifield’s Toledo grounds the ensemble with weary wisdom.
Charles Timbers
Iron Horse Theater Delivers Compelling, Provocative “Whipping Man”
By Eva Phillips There are fractious intersections in America’s fraught, tenuous, and often violent history, that defy readily accessible logic or confound the basic limitations of ethics and community. These intersections often reveal the commonalities of humanity—some viscerally unpleasant,… Read More ›
Ma Rainey’s Black Bottom
“1-2-You know what to do…” With Pittsburgh Playwright Theatre Company’s sterling reputation as the city’s premier interpreter of August Wilson’s work, one would think it’s as easy as counting to three for them to mount yet another searing and soulful… Read More ›
