Dramady with Operatic Interludes Opens at the Byham By George B. Parous The Passion of Mary Cardwell Dawson, as is widely known by now, is a play rather than an opera. There certainly is piano-accompanied singing, but about two thirds… Read More ›
Claire Young
Pittsburgh Opera’s ‘La Traviata’ Another Win For the Company
Singers, Orchestra, Chorus and Staging as Good as It Gets By GEORGE B. PAROUS It was a grand and large audience that heard and saw a spectacular performance of Giuseppe Verdi’s La Traviata last evening at the Benedum. The time-worn… Read More ›
Review: Pittsburgh Opera Adds ‘Proving Up’ to its List of Season’s Successes
By GEORGE B. PAROUS Last evening Pittsburgh Opera continued their season with the first night of Missy Mazzoli’s chamber opera, Proving Up. With a libretto by Royce Vavrek, adapted from a short story by Karen Russell, the 2018 opera has… Read More ›
Rare Taste of Wagner’s Early Success Staged by Pittsburgh Opera in Brilliant Performance
The Briney Sea Tale of ‘The Flying Dutchman’ Appears to Be All That Pittsburgh Audiences Will Hear of Richard Wagner; the Gloom of the ‘Dutchman’ For the First Time in Two Decades By George B. Parous Last evening, Pittsburgh Opera… Read More ›
‘The Barber of Seville’ a Bright 85th Season Opener
Pittsburgh Opera Offers a Vivacious Production of Old Classic By GEORGE B. PAROUS Despite miserable weather and having a star baritone on the sick list, Pittsburgh Opera attracted a good-sized audience to a brilliant performance of The Barber of Seville… Read More ›