August Wilson’s Ma Rainey’s Black Bottom, the third play in his American Century Cycle, is set in a 1927 Chicago recording studio where the “Mother of the Blues” battles for control of her art while her band wrestles with ambition, regret, and survival. Ashley Renee Southers, in her directorial debut, captures Wilson’s layered examination of exploitation, race, and creative power. The Quartet of musicians—Charles Timbers (Cutler), Dave Minnifield (Toledo), Rich Dixon (Slow Drag), and Dionysius Akim (Levee)—forms the play’s backbone. Each actor contributes nuance, but Akim’s fiery, restless Levee dominates, his bravado masking wounds that erupt with tragic force. Minnifield’s Toledo grounds the ensemble with weary wisdom.
Dionysius Akeem
‘The Awakening’ at CCAC Main Campus Explores the Pull of Gangs and Loved Ones
A new voice on the Pittsburgh theater scene, Gold Pyramid Screen and Stage, LLC, has announced itself as “telling the stories mainstream won’t” with Lorenzo Boone’s play, The Awakening. The play, opening at Community College of Allegheny County Auditorium on… Read More ›
REVIEW: Pittsburgh Playwrights Theatre Presents August Wilson’s ‘Joe Turner’s Come and Gone’
By BOB HOOVER Defeated, angry Black men are at the center of numerous August Wilson plays. Still, none is angrier and more dangerous than Herald Loomis in Joe Turner’s Come and Gone, now playing at the August Wilson House, 1727 Bedford Ave.,… Read More ›
