Antony Walker and Sara Gartland the Brightest Stars in a Brilliant Cast By George B. Parous Pittsburgh Opera opened its 84th season Saturday evening, with a truly grand performance of Antonín Dvořák’s Rusalka. The libretto, by Jaroslav Kvapil, is said… Read More ›
Riveting Social Justice Opera Packs a Wallop By George B. Parous Pittsburgh Opera is ending its 2021-’22 season with performances of Blue, and the work received its local premiere Saturday night, April 23, at the August Wilson African American… Read More ›
Gordon Hawkins, Versatile Baritone, Speaks of His Role & Career By George B. Parous Pittsburgh Opera will wrap its successful 2021-22 season with the first local performances of Blue, with music by Jeanine Tesori, and a libretto by Tazewell Thompson…. Read More ›
Colorful & Lively Production is Well Worth the Wait By George B. Parous Ever wonder why they call it “Grand Opera?” Never been, but waiting for one you’re guaranteed to enjoy? Try the twice delayed Carmen at Pittsburgh Opera. You’ve… Read More ›
Pittsburgh Opera’s The Magic Flute a Colorful, Magical Delight By George B. Parous Last night, a good-sized audience at the Benedum heard a classic example of why Mozart’s melodious The Magic Flute has enjoyed enduring popularity since 1791. The production… Read More ›
Pittsburgh Opera Saturday evening gave the first of six performances of Handel’s Semele, a company first, and the baroque opera will bring to an end a season that’s been full of firsts, and has not much resembled the line-up… Read More ›
The Last American Hammer (with music by Peter Hilliard and libretto by Matt Boresi) entertained a crowd about as large as the George R. White Opera Studio could accommodate last night, and the one-act mix of drama and satire… Read More ›
Pittsburgh Opera’s “Second Stage Production,” always a sure sign that spring is around the corner, and this year Peter Hilliard and Matt Boresi’s The Last American Hammer, will have its first performance Saturday evening, February 22, at the company’s Strip… Read More ›
Mozart was in the air last night at the CAPA Theater, when Pittsburgh Opera presented the first of four performances of afterWARds, the composer’s monumental Idomeneo, “re-imagined” by David Paul. The overly-large and cumbersome work is an opera of the… Read More ›