“Baroque” Rarity is Being Presented With Powerful Vocal Cast in Effective Staging By George B. Parous Pittsburgh Opera gave the second performance of Joseph Hadyn’s Armida last evening, at the CAPA auditorium, and it was an outstanding example of the… Read More ›
Singers, Orchestra, Chorus and Staging as Good as It Gets By GEORGE B. PAROUS It was a grand and large audience that heard and saw a spectacular performance of Giuseppe Verdi’s La Traviata last evening at the Benedum. The time-worn… Read More ›
By GEORGE B. PAROUS Last evening Pittsburgh Opera continued their season with the first night of Missy Mazzoli’s chamber opera, Proving Up. With a libretto by Royce Vavrek, adapted from a short story by Karen Russell, the 2018 opera has… Read More ›
Two More Performances of Classic Rarity Remain to Be Given at the CAPA By GEORGE B. PAROUS Pittsburgh Opera is currently giving its production of Christoph Willibald Gluck’s Iphigénie en Tauride, a work first heard at the Paris Opéra on… Read More ›
The Briney Sea Tale of ‘The Flying Dutchman’ Appears to Be All That Pittsburgh Audiences Will Hear of Richard Wagner; the Gloom of the ‘Dutchman’ For the First Time in Two Decades By George B. Parous Last evening, Pittsburgh Opera… Read More ›
Pittsburgh Opera Offers a Vivacious Production of Old Classic By GEORGE B. PAROUS Despite miserable weather and having a star baritone on the sick list, Pittsburgh Opera attracted a good-sized audience to a brilliant performance of The Barber of Seville… Read More ›
Pittsburgh Opera’s production of Il Trovatore, music by Giuseppe Verdi, libretto by Salvadore Cammarano, continues at the Benedum Center March 28, 31 and April 2. (Images: David Bachman Photography for Pittsburgh Opera) Melodious Old Standard Wows Big Audience for the… Read More ›
Soprano Emily Richter All But Steals the Show From a Stage Bursting With Talent By George B. Parous Pittsburgh Opera continued the roll it’s been on this season with the company’s premiere of George Frideric Handel’s classic Ariodante last evening…. Read More ›
Outstanding Cast of Vocalists Gives Old Standard New Appeal Reviewed by George B. Parous First things first. If you’ve seen The Marriage of Figaro once, or a dozen times, there’s a chance you might not have heard Mozart’s music sung by… Read More ›
Antony Walker and Sara Gartland the Brightest Stars in a Brilliant Cast By George B. Parous Pittsburgh Opera opened its 84th season Saturday evening, with a truly grand performance of Antonín Dvořák’s Rusalka. The libretto, by Jaroslav Kvapil, is said… Read More ›
