Kinetic Theatre

Review: A Maze of Manipulation in Kinetic Theatre’s ‘Henry Johnson’

Kinetic Theatre’s production of David Mamet’s Henry Johnson marks the play’s Pittsburgh debut. It is also only the third production of the work, following its premiere in Los Angeles in 2023 and a staging in Chicago in 2025. Henry Johnson has Mamet’s classic flair, with its downward-spiraling plot, coercion, ulterior motives, and the rhythmic, staccato, naturalistic Mamet-speak. It’s a play that makes you wonder: What is the truth? Who should I believe? Am I, as an audience member, just as susceptible as Henry Johnson? The play is less of a moral lesson and more of a question of morality. It leaves us grappling with the ambiguity of where the truth and manipulation begin and end. 

Kinetic’s Rarely Done ‘Henry Johnson’ Boasts David Butler’s Return to Pittsburgh Stage

The story of how the third production of David Mamet’s “Henry Johnson” landed at Carnegie Stage, and along with it, David Butler’s return to a hometown stage, follows the on- and off-ramps along the figurative map: All roads lead back to Pittsburgh. Andrew Paul’s Kinetic Theatre is bringing the play to the stage July 9-26, 2026, with Butler, Cotter Smith, David Whalen and John Steffenauer.

2025: A Blockbuster Year in Pittsburgh Theater

In the year that was, the future of three companies takes center stage, Saige Smith hits a series of high notes, “The Shark Is Broken” goes swimmingly for barebones, Pittsburgh Playwrights Theatre Company delivers August Wilson triple play, Karla Boos announces Quantum exit, Arts Landing is readied for its closeup, and much, much more.

Review: ‘A Sherlock Carol’: Doyle + Dickens = Delight

Some things are such crowd-pleasers, they bear repeating. Even within the packed realm of Christmas-time theater, that holds true for Kinetic Theatre’s finely tuned, atmospheric production of “A Sherlock Carol.” Introduced last year at the Stephen Foster Memorial, the show this season travels from Oakland to Carnegie Stage, and, if anything, gains in connectivity between cast and audience in the intimate space.

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