Kinetic Theatre

2025: A Blockbuster Year in Pittsburgh Theater

In the year that was, the future of three companies takes center stage, Saige Smith hits a series of high notes, “The Shark Is Broken” goes swimmingly for barebones, Pittsburgh Playwrights Theatre Company delivers August Wilson triple play, Karla Boos announces Quantum exit, Arts Landing is readied for its closeup, and much, much more.

Review: ‘A Sherlock Carol’: Doyle + Dickens = Delight

Some things are such crowd-pleasers, they bear repeating. Even within the packed realm of Christmas-time theater, that holds true for Kinetic Theatre’s finely tuned, atmospheric production of “A Sherlock Carol.” Introduced last year at the Stephen Foster Memorial, the show this season travels from Oakland to Carnegie Stage, and, if anything, gains in connectivity between cast and audience in the intimate space.

Review: ‘Hangmen’ Puts the Death Penalty on Trial

Martin McDonagh wrote a doozy of a role when he created “Hangmen’s” Mooney, the walking, talking plot device who enters a pub in Northern England, emanating a persona that may just as well be a neon sign that says “stranger danger.” He talks up a storm, does Mooney, and with every word becomes more of a sinister presence in the life of Harry Wade, one of the last hangmen in the UK, and proud of it. In the United States regional premiere of Hangmen by Kinetic Theatre, Mooney is played by the youthful Charlie Kennedy, a recent Point Park graduate. He embodies the cocky-creepy character – although Mooney notes that he prefers “menacing” to creepy.

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