The Last American Hammer (with music by Peter Hilliard and libretto by Matt Boresi) entertained a crowd about as large as the George R. White Opera Studio could accommodate last night, and the one-act mix of drama and satire… Read More ›
Matthew Haney
Conductor Glenn Lewis on Pittsburgh Opera’s “The Last American Hammer”
Pittsburgh Opera’s “Second Stage Production,” always a sure sign that spring is around the corner, and this year Peter Hilliard and Matt Boresi’s The Last American Hammer, will have its first performance Saturday evening, February 22, at the company’s Strip… Read More ›
Pittsburgh Opera’s “Alcina” – Brilliantly Sung, Well Staged Production of Handel Rarity a Bewitching Treat
Pittsburgh Opera presented Handel’s Alcina for the first time in its history Saturday night, with a strong cast and Antony Walker conducting the orchestra – an excellent group of musicians exquisitely augmented by period instruments in the highly skilled hands… Read More ›
Antony Walker to Conduct Pittsburgh Opera’s “Alcina”
Next up at Pittsburgh Opera is George Frideric Handel’s Alcina – a baroque work that, while centuries old, is anything but “time honored.” The opera (“Alcheenah” to American speaking ears) was premiered at London’s Covent Garden in 1735, revived for… Read More ›
Pittsburgh Opera’s Premiere of “Glory Denied”
Pittsburgh Opera gave the first local performance of Tom Cipullo’s Glory Denied last evening, and about as many people as could fit into the company’s George R. White Studio were taken on a fast-paced and gut-wrenchingly taunt roller coaster ride… Read More ›