In PICT’s “The Smuggler,” a solo show by Ronán Noone about the underbelly of immigration, Michael Patrick Trimm’s Tim Finnegan gives off a pirate-like energy, in a fast-paced and energetic performance — Trimm won’t let you take your eyes off him for a second.
Michael Patrick Trimm
Review: ‘Eureka Day’ Challenges Views on Vaccines with Laughter and Trauma
By SHARON EBERSON High winds and power outages this past weekend ushered in theater openings featuring provocative spins on hot-button issues, told with powerful performances. From uproarious laughter, to shock and empathy, the well-intended grownups of Eureka Day at City… Read More ›
Pouring It On for PICT: Michael Patrick Trimm Takes on ‘The Smuggler,’ a Solo Thriller in Rhythmic Verse
The Smuggler – a one-man thriller in rhythmic verse – is finally ready for its closeup. Pittsburgh International Classic Theatre first announced Michael Patrick Trimm in the role of bartender/smuggler/immigrant Tim Finnegan for March of last year, working with director Patrick Cannon and expected at Riley’s Pour House in Carnegie. Fate and fire intervened, and Riley’s burned to the ground in November 2024. Starting March 13, 2026, Trimm is now ready to get fully under the skin of Finnegan, with a new director (Melissa Grande) and a new venue (Carnegie Stage), after more than a year of stop-and-start preparation.
Review: ‘King James’ Provides a Front-Row Seat to the Bonds of Hometown Fandom
By SHARON EBERSON It might put you at ease to know that you don’t have to be a sports fan to cheer for King James, a funny and poignant ode to lifelong fandom and an underdog friendship, struggling mightily to… Read More ›
Notes From the Edge: Here, There and Everywhere in Pittsburgh Theater
BY SHARON EBERSON Catch my interview with Marc Masterson on the CitySpeaks: A New Play Podcast, conducted in advance of Masterson’s return to City Theatre for Birthday Candles, at the South Side theater through March 30, 2025. The podcast is… Read More ›
Review: Pittsburgh Public’s ‘Dial M for Murder’ Slays With Stylish Flare
By SHARON EBERSON Fresh but still glowing with period flare, and dare I say fun when the subject is murder, Pittsburgh Public Theater’s 50th season is off to a fine-tuned, stylish start. The Jeffrey Hatcher adaptation of Dial M for… Read More ›
PICT Announces Two 2024-25 Productions in Carnegie: ‘Andy Warhol’s Tomato,’ ‘The Smuggler’
By SHARON EBERSON The comeback of Pittsburgh International Classic Theatre – PICT, in all of its incarnations – hits a new stride, with the announcement of two productions in Carnegie, PA, venues, the first in September and the next, in… Read More ›
Preview: Bradbury Returns to Pittsburgh as Moliere in His Own Award-Winning Comedy
By Sharon Eberson Simon Bradbury and Andrew Paul go way back. So it’s somehow fitting that they both wound up connecting while both were in Las Vegas, even if their artistic collaboration remains on Pittsburgh stages. 20-plus years ago, Bradbury,… Read More ›
Directorial Excellence and All-Star Cast Lead the Charge in “A Few Good Men”
By Eva Phillips There’s a ferocious coding that comes with being a marine. It transcends the coding that comes with any military regimentation. A marine will be the first to tell you that. Semper Fi is the tipping point—Marines immerse… Read More ›
