‘RENT’ AT THE GREER
The Greer Cabaret continues asthe Downtown place to be for locally produced musical revivals. Coming up in September: BDE Productions rents the Pittsburgh Cultural Trust venue for “Rent,” directed by Peter Matthew Smith.
‘RENT’ AT THE GREER
The Greer Cabaret continues asthe Downtown place to be for locally produced musical revivals. Coming up in September: BDE Productions rents the Pittsburgh Cultural Trust venue for “Rent,” directed by Peter Matthew Smith.
Michael McKelvey’s return to Pittsburgh includes producing and directing musicals with Pittsburgh theater artists, starting with “Assassins,” the Sondheim-Weidman show with Carnegie Mellon roots.
FRONT PORCH GETS TO THE HEART AND SOUL OF ‘COME FROM AWAY’
Front Porch Theatricals’ second summer season offering is the first locally produced version of the 2017 Tony Award-nominated musical, with brilliant staging harnessing the chaotic energy and performances that dig deep into individuals whose lives were shaped by he 9/11 terrorist attacks, and the mostly hidden story of what happened next.
‘Hadestown’ Screen Splash Is a Sign for U.S. to Pick Up Pro Shot Pace
Ancient Greek mythology had a big weekend at the movies, and it wasn’t all about “The Odyssey.” A lot has been made about the debut pro shot of “Hadestown: The Musical” beating the box office of the cinematic release of “Hamilton,” which hit movie theaters in 2025, after it first streamed in 2020, as an at-home treat during the pandemic shutdown. More to the point, “Hadestown,” on limited screens, finished in fourth place on its opening weekend, behind the juggernaut that is “The Odyssey,” and family films “Moana” and “Toy Story 5.”
A CHAT WITH “SUFFS” TONY-NOMINATED DIRECTOR LEIGH SILVERMAN
The graduate of Carnegie Mellon’s BFA Directing and MFA Playwriting programs, and an intern for Pittsburgh CLO in 1994 — “We did The Music Man with Gary Sandy, and just a variety of really amazing musicals that we mounted in seven days,” she recalled — is known for the dozens of new works she has directed on and off Broadway.
Six things to know about the “Suffs” National Tour, presented by Pittsburgh CLO as the Benedum Center July 21-26, 2026.
1971 Was One Fine Year:
The Pittsburgh Pirates defeated Baltimore in the World Series, Carole King released “Tapestry,” and Pittsburgh CLO enlisted a cavalcade of Broadway and local stars, in a comback for the ages.
A look back, as “Beautiful: The Carole King Musical,” opens Pittsburgh CLO’s Summer Season.
At age 23, costume designer, wardrobe supervisor and entrepreneur Dylan A. Blussick’s resume reads like an accomplished retiree’s. The well-traveled Washington County native boasts extensive National Tour experience that will soon include the Tony Award-winning “The Outsiders.” But just now, he is at Little Lake Theater, proving the Ozian adage that there’s no place like home.
The reasons to flock to see Water for Elephants are not your typical musical theater must-haves. They include thrilling circus artistry and innovative puppetry, and, for those in the know, experiencing the adaptation of a beloved book-turned-movie-turned-theatrical romance. The touring company’s edge-of-seat daring was on display on opening night, as performers were tossed and caught, or were hanging and tumbling by a figurative thread, with only each other as a net.
“Water For Elephants: The Musical,” coming to the Benedum Center March 31-April 5, is purposefully, unapologetically theatrical. The show that takes its inspiration from the 2006 novel by Sara Gruen, comes alive with circus performers and life-sized puppets, including the elephant Rosie, a horse named Silver Star, and a dog named Queenie.