PITRUniversity

The Three Musketeers

The playbill for Carnegie Mellon University’s School of Drama’s aggressive and successful challenge of Andre Dumas’ timeless classic The Three Musketeers employs much space dedicated to “adaptation” – its meaning and its role in the theater. In “Theory of Adaptation” featured… Read More ›

Baltimore

College campuses in America are a hotbed of cultural discourse. As they should be. However, unlike the last hundred years of existing as a space for entire generations to generate a stance on progressivism, collective academic discourse has become confusing…. Read More ›

Peter and the Starcatcher

How does one continue the timeless story of a boy who never grows up? Steven Spielberg’s Hook notwithstanding, the obvious answer to that question is to explore his past. And that’s just what Dave Barry and Ridley Pearson did in… Read More ›

Sweet Charity

The girl who couldn’t hold on to a guy is the victorious heroine of Sweet Charity, on stage of the equally spunky and iconic Rockwell Theater at the Pittsburgh Playhouse in Oakland. The colorful and groovy Broadway and film hit… Read More ›

Ragtime

This musical has so much;  it is so rich.  It is a cascade of characters who are fully drawn, with captivating arcs.  It’s a litany of singing performances, CMU’s great bastion of talent loading all of their guns at once… Read More ›

Rust

Even steel rusts, and that is the underlying theme, and title, of the new play currently in production by Duquesne University’s Red Masquers. The play, written by Duquesne alum F.J. Hartland, neatly ties the name of the show into the… Read More ›

Mr. Marmalade

Perhaps the most compelling aspect of CMU’s production of Mr. Marmalade is the actors’ ability to take on the roles of children.  Specifically, a four year old.  Aleyse Shannon, as the character Lucy, becomes a child in such a subdued,… Read More ›

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