“Hamlet: The Bad Quarto”, a script that predates the best-loved published Folio, employs some names, phrasing and layering that resemble an early draft, before the Bard really got going on eloquence and rhythms. Yet, taken for all, “The Bad Quarto” doesn’t seem so very different by comparison. Rare in presentation, it is an exhilarating treat to experience the play now onstage at the Rauh Studio Theatre in Oakland, presented by director Jeremy Seghers with a youthful cast, led by Ayden Freed.
For his directorial debut in his new home, Jeremy Seghers is going somewhat more traditional than usual, staging Franz Kafka’s “The Trial,” as adapted by Nick Gill, in the Rauh Theater, the black box in the basement of the University of Pittsburgh’s Cathedral of Learning.
By SHARON EBERSON Brace yourself for Oleanna. The David Mamet drama is not a pleasant diversion on a hot summer’s day, nor is it meant to be. The Pulitzer Prize-winning playwright and provocateur aims to challenge beliefs we may hold to… Read More ›
