SpringwithPITR

Lights Out

Setting controls a play. It’s its backbone. This is particularly true when the setting contains an entire plot within a singular space.  Also,  particularly true when the audience feels forced into it, packed into the confined atmosphere that’s suddenly been… Read More ›

Baltimore

College campuses in America are a hotbed of cultural discourse. As they should be. However, unlike the last hundred years of existing as a space for entire generations to generate a stance on progressivism, collective academic discourse has become confusing…. Read More ›

Oedipus Rex

Alan Stanford’s new adaption of the classic Greek tragedy Oedipus Rex is a modern day masterpiece. Sometimes you just know within the first few minutes that this is really going to be good. That first inclination comes not from the… Read More ›

Turandot

Giacomo Puccini’s final opera, Turandot, was presented for the first time this season Saturday night at the Benedum, and a gratifyingly large crowd packed the auditorium to enjoy a truly resounding rendition of the composer’s swan song. The work is… Read More ›

The Guard

The building my uncle is renovating is a wide open space barren of furniture, the chipped paint dotted with hungry-looking light sockets. I am with him while he works, because my parents need someone to watch their 6 year-old. I… Read More ›

Sweet Charity

The girl who couldn’t hold on to a guy is the victorious heroine of Sweet Charity, on stage of the equally spunky and iconic Rockwell Theater at the Pittsburgh Playhouse in Oakland. The colorful and groovy Broadway and film hit… Read More ›

Daddy Long Legs

The Pittsburgh Public Theater’s production of Daddy Long Legs under the direction of Ted Pappas, once again demonstrates theatre at its best. This subtle and nuanced production is the perfect balance of all the elements of theatre that combine to… Read More ›

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