Stage 62‘s The Music Man presents a caliber of talent that surpasses the status quo of community theater. This rhythmic masterpiece, made up of sweet melodies, a lively story and charming characters is a slice of American pie. The production boasts a wide range of music styles, dance ensembles, comedic moments and romance. This is a performance the whole family can enjoy. There are opportunities for performers of all ages to shine and Stage 62‘s rendition rises to this challenge.
The performance begins with the orchestra playing the overture. The sound swells the theater, traditionally designed for concerts, permitting the acoustics to resonate. Having never seen The Music Man before I enjoyed the prelude of familiar tunes realizing just how many songs I recognized. The story unfolds quickly, partly due to the tempo of the first 3 musical numbers, Rock Island, Iowa Stubborn and (Ya Got) Trouble, and the superior delivery of dialogue by con man ‘Professor’ Harold Hill (Andy Folmer) the fast- talking traveling salesman. Hill’s scam; convince parents their sons will keep out of trouble by joining in a band. Hill sells instruments, uniforms and music materials, promises to offer instruction and direction to the boys, then once the supplies are delivered and payment collected, he’ll skip town before anyone catches on. Arriving in River City, Iowa Hill learns the townsfolk are not very friendly. He determines the best way to earn the confidence of parents is to gain the assurance of the local music teacher/ librarian, Marian Paroo (Becca Chenette). She too is cold and stand-offish but luckily, for Hill, Marcellus Washburn (Chris Martin) a former ‘associate’ turned straight, is living in River City. Washburn agrees to help Hill launch his scheme and escape town without a hitch. Things go, more or less, as Hill intends; except for the few residents who question his credentials, a young boy in need of a father figure and a blossoming romance that quickly changes the path of Hill’s plan.
If you’re familiar with The Music Man you won’t be surprised to learn this is a 61 person cast. Director Rob James successfully incorporates all elements necessary for a seamless production and choreographer Devyn Brown manages to keep the shows momentum flowing with movement. Two memorable dance numbers, Marian the Librarian and Shipoopi, showcase the abundance of talent from supporting cast members Chris Martin, Adam Speers as Tommy Djilas and Alex Ficco as Zanetta Shinn. Other highlights include, the harmonizing Quartet and the ladies Pickalittle (Talk-a-Little) song and dance. There’s a lot of theatrical zeal from each character especially the budding talent of cast members Alexa Speicher as Amaryllis and Elliott Bruno as Winthrop, who appear poised and confident in character despite their young age.
A strong supporting cast and a dynamite ensemble can carry a show a long way but The Music Man demands veteran performers to fill the shoes of Professor Hill and Marian Paroo. Andy Folmer as Hill is a big presence on a small stage, a virtuoso of voice, he consistently maintains savvy delivery of both dialogue and song. Becca Chenette is a genuine Marian. Her voice is lilting and strong. A seasoned vocalist she exudes sweetness and sentimentality while singing the beautiful ballads.
Stage 62‘s performance of The Music Man is lively and fun. It has all the elements of a classic American musical. The costumes are bright and represent a time and place that accentuate the extensively detailed set. Highlights of the show included the expertly executed speak- song, Rock Island the highly energetic Ya Got Trouble, the notable Seventy-Six Trombones and the endearing Till There Was You .
Special thanks to Stage 62 for complimentary press tickets. The Music Man runs at the Andrew Carnegie Free Library and Music Hall (ACFL& MH) Carnegie, PA through November 20th. Tickets and more information can be found here.
Photos courtesy of Amber Smith.
Categories: Archived Reviews